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傑若米‧羅斯演奏布拉姆斯:第三號奏鳴曲、韓德爾主題變奏曲

NT$ 504.00 貨號: M30102


出貨時程: 1 星期

0802210301027

M30102
傑若米‧羅斯演奏布拉姆斯:第三號奏鳴曲、韓德爾主題變奏曲
Jerome Rose plays Brahms: Piano Sonata No.3 & Handel Variations

★樂評家Michael Ullman:羅斯的演奏(第三號奏鳴曲)強而有力、精準且謹慎。當然,他的「韓德爾變奏曲」比較溫和,在精湛的技巧下兼顧樂曲的優雅與新古典的豐美勻稱。我很高興能將這個演奏加入我為數不多的布拉姆斯精選錄音--那些我認為特別具有表現力和說服力者。--美國Fanfare雜誌(樂評全文請參考下方)

曲目:
1-27. 降B大調韓德爾主題變奏曲Op.24
28-32. f小調第三號鋼琴奏鳴曲Op.5

鋼琴:傑若米‧羅斯Jerome Rose
發行:2006年

★樂評全文:
FANFARE
by Michael Ullman

In one of my favorite passages, Nietzsche, who usually philosophizes with a hammer, tells us that the modern world has to learn to pay homage. Jerome Rose has no such problem. In his notes to this disc, he tells us that one of the greatest musical experiences in his life came when he was 16 and listening to the second movement of Artur Rubinstein's then recent recording (1959) of Brahms's Third Piano Sonata. The effect on Rose was "hair-raising" unforgettable. He then goes on to suggest that he was the right age to listen to this piece by a 20-year-old composer.

I am not sure that is entirely a compliment. The piece is typically clangorous, almost uniquely so in Brahms's œuvre, and almost shockingly dramatic. Some of its most appealing themes unfold over a hyperactive left hand, thumping repeated chords. And yet, as I listen - particularly to Rubinstein's recording, but also to recordings by Julius Katchen, Nelson Freire, and this new one by Jerome Rose - I hear a piece that consistently surprises, that leads in unexpected directions, that is the product not only of a young composer eager to shock and impress, but of a restless musical intellect sincerely seeking new paths. Sometimes, in Brahms, we hear a struggle between passion and intellect; at others, their seemingly perfect reconciliation. Here, the surface is stormy, perhaps too stormy at times, and yet the sequence of thoughts is intriguing.

That's how I hear it anyway. Rose plays the piece as boldly as anyone does, but nearly to the extent of the Rubinstein, his rendition is able to bring out the melodic interest in the first movement, the hair-raising passion of the second, and the almost zany rhythmic qualities of the third. And so on. Rose is a major pianist in my book, a thoughtful virtuoso. If I still prefer the Rubinstein - well, I know it so much better. Rose plays with power, precision, and care. His Handel Variations is, of course, much milder than the Sonata performance, and he is equally skilled at evoking its grace and neo-Classical shapeliness. So I am pleased to add these performances to a small group of Brahms recordings I consider especially eloquent and convincing.


產品上架時間 2011 四月 28 週四.


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